PMOF LLC: Continuing Education for the Working Artist, The Home for Wayward Print Girls and Boys
Printmakers Open Forum
120 W Lancaster Pike
Oxford , PA 19363
United States
ph: 609 932 6475
info
Rag Recycling for our Small Inpendent Printshop
November 2016
for more information, pdf and powerpoint click here to go to Technical Handouts Page
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Past Events
2015
installation view: As Above, Union Gallery, Wagner College
installation view: As Above, Union Gallery, Wagner College
installation view: As Above, Union Gallery, Wagner College
table top, As Above, Union Gallery, Wagner College
three tiered table, schmatic view
New York City from the Gallery view
installation view: As Above, Union Gallery, Wagner College
Wagner College Press Release, As Above here
As Above
The Union Gallery of Wagner College presents the work of artist Shelley Thorstensen to coincide with New York City’s Print Week. The exhibition, As Above, runs from Tuesday November 3rd 2015 to January 15th 2016.
Shelley Thorstensen has expertise in all printmaking techniques, specializing in hand pulled color multi-print media. Her work is part deep personal
archive, part printmaking evangelism, woven together in fabric of color, metaphor and commentary. Art critic Edward Sozanski wrote of her work “The
ease with which she combines these processes and exploits their individual strengths gives her prints uncommon presence and, more often than not,
transcendent beauty”.
Shelley Thorstensen states, “My work is a result of the confluence of inner and outer stimuli. It’s a result of personal narrative as much as observed affect. It derives as much from experience as it does from answered and unanswered questioning. I think about the connection between the manmade and what we call natural and the extension and overlap of each modality. Sometimes in my work, things are sure footed, sometimes less so. The forms evolve, they turn and I rely on a sense, for which I cannot always find a proper name, to hesitate the turning, to coalesce a given form. The Sufis, grounded in the ecstatic fragility of daily life, call the turning Zikr, the call of the heart, the way of remembering. The hesitation helps me to stay grounded in what is often called the Unified Field. These meditational practices give me the best ability to get at meaning. This is how I ultimately make my way in the world and in my work”.
Recent solo shows include: Field Studies: The Scheme of Things, University of the Arts (fall 2015), Since the River Spoke at the Rose Lehrman Gallery, (2013), This the Smoke from when the Horses Left at the Painted Bride (2011), Counterpoint: The Leap from Vision to Print at Woodmere Art Museum (2010) and The Preponderance of Evidence at The Print Center (2009).
Shelley Thorstensen has an undergraduate degree in Experimental Studies from Syracuse University, School of Visual & Performing Arts, Syracuse, NY, and a graduate degree in Printmaking from the Tyler School of Art in Philadelphia, PA. Her work can be seen at Dolan/Maxwell in Philadelphia, PA. She is the founder of Printmakers Open Forum and teaches printmaking at Tyler School of Art. Her work can be found internationally including Cleveland Art Museum, Kenosha Museum, Museum of Modern Art, Palmer Art Museum, Royal Museum of Art (Antwerp), Woodmere Art Museum.
The exhibition is open Tuesday to Saturday 11am to 4pm, Thursday 11 to 7pm or by appointment. The Union Gallery is located at Wagner College, College Union (Main Floor), One Campus Road, Staten Island, NY 10301. Guests from the ferry terminal may take the Wagner College Shuttle to the Campus.
Like a Radio Shelley Thorstensen 30 x 22 Etching Lithograph Relief w chine colle 2015
2014
PANEL: Beyond the Institution: Creating an Independent Creative Life Without Academia
PMOF speaks! Talk entitled "Live Like Dogs are Chasing You"
Friday, September 25, McGregor Memorial Conference Center, Wayne State University
Print The Midnight Sun:
Printmaking in Finland / Solstice 2014 (June 21 - June 28)
Print The Midnight Sun:
Printmaking in Finland / Solstice 2014 (June 21 - June 28)
Visting Artist, SUNY New Paltz NY
University of the Arts, Philadelphia PA, mulitdisciplinary lecture series
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Fall 2013
Visting Artist, Kansas State University Fall 2013
I'm very pleased to announce my exhibit at Second State Press in Philadelphia,
Part and Parcel. I've put up the proofs for making my latest print, On Any Given Day.
below is the show card and a few early installation views
Second State Press is at 1400 North American Street, B103 Philadelphia PA 19122
Reception: Thursday October 10, 6 - 9pm
Show dates: October 5 - November 8 2013
click here for my statement for the show, The Practice of Remembering
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Other News
honored to be included in
Print Revolution, The Ronald L Ruble Collection exhibition
The Palmina F and Steven S Pace Galleries
University of Southern Indiana July 15 - September 7 2013
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DRAW 13 Guest Artist
Society of Graphic Fine Art
92nd Annual Exhibiton, Menier Gallery 51 Southwalk Street London SEI 1RU
September 30 - October 12 2013
(shown: Sail of the Confluence, etching collage and guache 10 x 7")
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Visiting Artist
Kansas State University, Manhattan KS
October 20 - 23 2013
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Spring/Summer 2013
Color into Print with Shelley Thorstensen and Women's Studio Workshop
Getting ready! Color into Print at Antica Tenuta le Casacce just outside of Seggianno, Tuscany!
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Printmakers Open Forum
the shop is close to complete!
for each step of the shop progress click here
follow Printmakers Open Forum on tumblr here and facebook here
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Society of American Graphic Artists
As the current president of the Society of American Graphic Artists (SAGA) I am ushering in our 2nd century in 2015.
We've just had a very successful 80th Members Exhibit at the DeLind Gallery in Milwaukee during the Southern Graphics Council International (SGCI) Conference the end of March.
The SAGA Council has a show up now at Galerie RECOLTE in Fukuoka Japan, entitled Across the Waters with a catalog on its way.
We've just finished producing both a catalog for our 79th Members Exhibition at The Old Print Shop in New York and a new "SAGAzine" downloadable here. Features include an interview of Richie Lasansky by Michelle Wilson and an article by Ralph Slatton entitled Dissent in Printmaking.
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Recent Exhibitions: (2013 Exhibitions, click here)
Rose Lehrman Gallery / Harrisburg Area Community College
Wednesday, Feb. 27 through Wednesday, April 3, 2013
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Under Pressure
Susquehanna University / Lore Degenstein Gallery
January 26th - March 1st, 2013
Opening Reception: Saturday January 26th, 7 - 9pm
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Juxtapostions
Spencer Hill Gallery / Corning NY
January 19th - February 16th
Opening Reception: Saturday January 19th, 3 - 5pm
Shelley Thorstensen work in progress - Mezzotint, Etching
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Fall/Winter 2013
Color into Print / Shelley Thorstensen
July 9 – 18, 2013
Women's Studio Workshop Summer Arts Institute
Picture the color of Tuscany. Changing hues from dawn to dusk. Rolling landscapes of yellow ochre and verde fields accented by vermillion, poppy, terra-cotta. Siena and umber earth. White-washed medieval architecture surrounded by century-old olive groves. Sepia pasta with porcini fired over the grill, that golden oil which is at times lime or pure molten ore. Picture ripening vineyards below endless azure skies. Picture timeless beauty.
Immerse your senses in the colors of Tuscany with printmaker and teacher Shelley Thorstensen in the nine day workshop, Color into Print, offered by Women’s Studio Workshop during the summer of 2013 held at Antica Tenuta Le Casacce (Residenzia Montale), Tuscany.
Explore, expand and deepen your vision, inspired by how the Tuscan palette resonates uniquely with you.
Color into Print is designed to activate and accelerate your interpretation of color. It will generate momentum in your entire art-making practice. The focus is on color monoprint, drypoint, collograph, and simple polyester plate lithography, each printed in concert of the full complement of color options including layered surfaces, chine colle, and viscosity printing. This is precise yet juicy printmaking tailored to the needs of each participant. This is a low-stress, high reward workshop. Leave with a record of your color journey in Tuscany.
Our Italian Workshop coordinator, Susan Fateh has selected this exquisite new site because it features breathtaking views whichever way you look, ample and well lit indoor work-space opening out onto a private terrace, pleasant, charming bedrooms, and sublime food prepared by a top Roman chef.
This panoramic location about 3 km from the medieval village of Seggiano. The villa is an ideal place for experiencing fine Italian cuisine in an evocatively authentic setting. Students may opt for private rooms or double occupancy and significant others and/or friends are welcome at a 20% discount.
Dating back to the 13th C, the villa's recent renovations have rendered it comfortable without losing traditional character. All aspects of the workshop will be held in the original farmhouse on the estate that has its own pool. The farmhouse will be completely devoted to Women’s Studio Workshop participants – which can be men and women. The charming village of Seggiano is off the main tourist routes and maintains its traditional Tuscan charm and unspoiled countryside. Students may opt for private rooms or double occupancy. Partners and/or friends are welcome at a 20% discount.
On a typical day, the class will run from 9 a.m. to 1 p.m. After a leisurely lunch break you can take a siesta, a swim in their lovely pool or go back to the studio for some quiet work time. Instruction will resume for another 2 hours before the evening meal. The studio itself can be used around the clock.
Included in tuition:
- most materials (paper, inks and plates)
- housing
- full board of 3 meals a day, including abundant vegetarian fare (extra charge for very particular dietary requests)
- a day trip to nearby Siena
- group transportation to and from Rome’s Fumicino airport will be provided
Prices are $4100 for a single, $3700 double
Registration deadline February 28, 2013
Shelley Thorstensen has expertise in all printmaking techniques. She is a fount of technical knowledge when it comes to color. Her work is part deep personal archive, part printmaking evangelism, woven together in fabric of color, metaphor and commentary. Art critic Edward Sozanski writes of her work “The ease with which she combines these processes and exploits their individual strengths gives her prints uncommon presence and, more often than not, transcendent beauty”. Recent solo shows include: (2011) This the Smoke from when the Horses Left at the Painted Bride, (2010) Counterpoint: The Leap from Vision to Print at Woodmere Art Museum and (2009) The Preponderance of Evidence at The Print Center (Philadelphia). Shelley currently teaches printmaking and drawing at Tyler School of Art. Her work can be seen at Dolan/Maxwell (dolan/maxwell.com) and is collected across the US, Europe and Japan. She is President of the Society of American Graphic Artists (SAGA) in New York City.
Susan Fateh serves as the Program Director for WSW's Italy workshops. She holds a BA/Hon. from Scotland, an MFA from NYU, and apprenticed at S.W. Hayter's Atelier 17 in Paris. Susan was a production papermaker at WSW, where she first learned the craft. She has conducted various workshops in Jordan, Trinidad, and Italy, and has coordinated a women's handmade paper self-help group in rural South India. Her own mixed-media works are in diverse collections around the world. For the past ten years, she has lived in Italy with her young son.
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Summer 2012
Summer Workshops
Castle Hill/Truro Center for the Arts, Cape Cod MA
Etching: Generating Momentum in your Practice / Shelley Thorstensen
July 23-27, 2012
Whether this is your first stop discovering printmaking or you are a veteran printmaker, this class is designed to activate and accelerate growth that can generate momentum in your entire art-making practice.
The workshop is designed for both artists working in other print, painting, or drawing media who are interested in the possibility of incorporating some level of print into their work and for artist/printmakers who work primarily on an etching press.
This is a low-stress, high reward workshop. Shelley includes in the workshop a series of demonstrations including ways of using color and printing, such as: stencils, a la poupee, chine colle, viscosity, multiple plates, relief and collage with ways to easily and seamlessly incorporate them into your work. Have no fear, this class will help you discover what aspects are unique to you and how to explore, expand and deepen your practice.
Shelley will work with you individually to discover what aspects are vital to your work and how to successfully mobilize your vision. This is precise yet juicy printmaking tailored to the needs of each artist. Bring drawings, ideas, prints in progress or just yourself and well take it from there.
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Women's Studio Workshop, Rosendale NY
Motivational Intaglio / Shelley Thorstensen
Workshop Participants: Ann Piper, Paper Buck and Jillian Contreni Sokso
August 6 - 10, 13 - 17, 2012
These intensive workshops are designed for but not limited to artist/printmakers who work primarily on an etching press. It is also a good place for artists working in other print, painting, or drawing media interested in the possibility of incorporating print into their work.
Shelley will begin the workshop with a series of demonstrations including ways of using color and printing, such as: stencils, a la poupee, chine colle, viscosity, multiple plates, relief, collage, and digital media. Using your current work and ideas as a catalyst, Shelley will work with you individually to discover what aspects are vital to your work and how to successfully explore and expand your vision.
This workshop provides extended work time allowing participants to incorporate new ways of working into their artistic practice. Shelley will organize this period to further examine your work and mindset. She will include material specific to each participant while encouraging a further understanding of etching.
Artists will learn how to seamlessly incorporate handwork such as drypoint and mezzotint on various substrates, editioned monoprint, paper and polyester photo litho, hand-worked and photo based collographs, photocopy transfer; handmade repeatable rubber stamp and registration systems. Shelley will also address possible considerations for content, scale, series, multiplicity, format, paper choice, and available matrices.
(Every year students want more time working with Shelley. She has agreed to spend a second week at WSW allowing students to take either week or both weeks to activate and accelerate their individual artistic development while generating momentum in all their art making practices.)
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Group Exhibits
A Sense of Place
Spencer Hill Gallery, Corning NY
Director, Kathrine Page
July 1 - August 4th
Shelley Thostensen - Etchings with Mezzotint - new work, summer 2012
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Society of American Graphic Artists
May 19 - June 29, 2012
Pictured: left Merle Perlmutter (Council), Shelley Thorstensen (President) and Barbara Minton (Recording Secretary and SAGAzine Editor)
right: Shelley Thorstensen and Donald Axelroad recieving the Speedball Materials Award
SAGA Exhibit Review: Art and Antiques online
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Exhibition Catalogs
Fusion - International Contemporary Intaglio Print Invitation Exhibition
Guanlan Original Printmaking Base Guanlan, Shenzhen, China
curated by Lynne Allen, Director, Boston University School of Fine Arts
pictured: Hand to Mouth, Etching, Mezzotint and Relief, 24 x 36"
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Mulitple Encounters, Second Edition
pictured: Joyous Lake, Etching, Silkscreen and Relief with Chine Colle,18 x 24"
traveling invitational group exhibition beginning in New Delhi, India
January 23 - Febriuary 6, 2012
Lalit Kala Akademi
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A Survey of Contemporary Printmaking
pictured: Rhyme and Reason, Etching, Silkscreen, Litho and Collograph, 23 x 35"
curated by Rochelle Toner
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New from Printmakers Open Forum
click here for more building progress and presses!
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--- also featured----
New Directions and Contemporary Trends in Printmaking - Shelley Thorstensen
take a look here: Print Revolution in America
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April 2012
CATALOG
Shelley Thorstensen in other words
(click image)
The catalog is available (with a flip book preview!) at viovio or by searching the web Shelley Thorstensen in other words. It's also available at Printmakers Open Forum . It catalogs my last three solo *exhibitions of 2009 - 2011, is 54 pages, with over 50 images and ten essays by:
Dr Glenn Benge, Professor Emeritus, Art History, Tyler School of Art
John Caperton, Curator at The Print Center, Philadelphia
Laurence Dreyfus, Professor of Music, Magdalen College, Oxford UK
Diedra Krieger, independent curator and aka Plastic Fantastic
Anabelle Rodriguez-Lawton, Independent Curator
Jillian (Contreni) Sokso, former student and Chair, Art Department Houghton College
Edward Sozanksi, Art Critic, The Philadelphia Inquirer
Dr Burton Wasserman, Art Critic, ICON Magazine
Michelle Wilson, independent artist
The book was designed by the most awesome Sondra Graff / rpm projects
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SHOWS
Multiple Encounters, Second Editiona traveling group exhibition beginning in New Delhi, India January 23 - February 6, 2012 Lalit Kala Akademi,
curated by Vijay Kumar, one of the founders of Manhattan Graphics Center
Southern Graphics Council International 2012 - 2015 group traveling exhibition to be housed in 2015 at the Kate Skipworth Museum, University of Mississippi
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Printmakers Open Forum - THE SHOP
Heres a picture of where the silkscreen washout sink, acid room and the litho graining sink will be situated.
(The shop is 30 x 64 feet)
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TEACHING / WORKSHOPS SPRING THROUGH SUMMER
During the school year, I've been having a great time teaching drawing and printmaking for the
BFA program and the newly formed Visual Studies program at Tyler.
For Workshops, please join me at the following for 2012 (chronological)
Printmaking Center of New Jersey , North Branch NJ
Notes to Self Thursday March 22nd , Thursday March 29th
The Path from Plate to Print all possibilities all day demo Thursday April 12th
Honing your Skills Thursday May 10th
Peter's Valley Craft Center, Layton NJ
The Integrated Print June 15 19
Castle Hill at Truro, Cape Cod, MA
Etching: Generating Momentum in your Practice July 23 27
Womens Studio Workshop,Rosendale, NY
Motivational Intaglio August 6 10, 13 17 (one week, or two optional is new!)
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President, SOCIETY OF AMERICAN GRAPHIC ARTISTS
This summer I became the President of SAGA, The Society of American Graphic Artists. SAGA represents the very best of hand pulled printmaking for the last 100 years with an office on Union Square in Manhattan.
Since then, SAGA had its annual Member Show at Prince Street Gallery, NYC June 2011. The Prize juror was Ellen Handy, Art Historian at the City College of New York We had our Annual Award Dinner at the National Arts Club, Gramercy Park NYC this fall honoring long time Council Member, Ann Chernow and past President, Michael DiCerbo.
We just deinstalled Hands On, Prints from the Council of SAGA at Helen and Frank Hyders Projects Gallery in Philadelphia. This exhibition opportunity was made available through long time SAGA Council Member, Florence Putterman. The long-version review and insights by Dr.Glenn Benge can be found on the SAGA website.
Our next Members' Meeting is at the Westbeth Artist Community Center on May 12th - If you interested in attending, send me a message.
In addition, SAGA's next Annual Member Exhibition is at The Old Print Shop in New York from May 19 - June 29. The opening is Saturday May 19 at 1:00pm. The Prize Juror is Dr. Michael Schantz, Director and CEO of the Hecksher Museum of Art, NY.
For the first time, SAGA will be present at the Southern Graphics International Conference, held this year in New Orleans. I'll be there so stop by and say hi, and see SAGAs Collector Prints at our Publishers table. Pick up a forward-looking pencil created to kick off SAGAs plans for its 100thbirthday in 2015.
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*SHOWS included in my catalog include:
The Preponderance of Evidence
Print Center
Philadelphia PA
2009
Counterpoint: The Leap from Vision to Print
Woodmere Art Museum
Chestnut Hill PA
2010
This is the Smoke from When the Horses Left
Painted Bride Art Center
Philadelphia, PA
2011
Printmakers Open Forum
120 W Lancaster Pike
Oxford , PA 19363
United States
ph: 609 932 6475
info